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On a lazy Sunday afternoon, or whenever
you're ready to treat yourself to your own personal house concert,
curl up in a comfy spot right in front of your speakers, and settle
in with the new CD by Northwest adult contemporary artist Tina
Lear, appropriately titled, The Road Home.
It's been two years since Tina Lear's
last release, Full Moon Big Circle, the follow-up to her
debut album, Classified Ads. Now comes The Road Home,
a highly anticipated collection of songs deeply rooted in the soul,
and full of Tina's passion, understanding, and humor about life.
Tina explains, "I think of The Road Home as my Tina-grows-up
CD. The first two are full of sweet romance and searing introspection
about self, marriage, and family. This one has eyes that look out
on everything around me. It's as though I suddenly realized there's
this huge world that I'm living in and there's a hell of a lot of
stuff I want to be paying attention to."
The Road Home unifies Tina's music
with a greater eclectic and experimental energy than the first two
CDs. From the big-band, jazzy appeal of "The Village is Ours," to
the deep throbbing jungle beat in "Raise Your Voice," her vision
for social possibilities comes clear. On the more intimate side,
"Flyin' Solo" (based on the Edward Hopper painting "Nighthawks")
tells the story of the lone woman in that late-night diner, yearning,
hopeless, and yet determined to find her new life. "The Road Home"
(title cut) is a reminder of our connectedness, and of the importance
of both acknowledging and acting on it. The backup vocals for this
song were recorded during a sold-out concert in May, 2000.
Musicians on The Road Home, anchored
by Tina on piano, hail from New York, Chicago, Ft. Collins, Austin,
and Seattle. Howard Levy lends his harmonica magic to three
of the tunes, with a brilliant solo on the title cut. Gene Elders,
who tours regularly with Lyle Lovett, does some heartbreaking violin
tracks on "The Other Shore" and "Don't Look Away." Seattle stalwarts
Clipper Anderson and Mark Ivester, long-time creative
partners of Tina's, are here on several beautiful tunes, backing
that sweet, familiar sound of Tina in her classic mode. Producer
Mitch Watkins (Abra Moore) matches Tina's astonishing range
of styles with masterful guitar work on this project.
Tina's songwriting is inspired by songwriters
like Joni Mitchell, James Taylor, Stephen Sondheim, Shawn Colvin
and Sting. Emerging in Tina's own songs is a mix of sophisticated,
modern romanticism and sharp humor that can only come from a writer
who is acutely self-perceptive and imaginatively world-wise.
Tina Lear's growing popularity
in Seattle and the greater Northwest has been fueled by the support
she has received from KPLU, KSER and KBCS, as well as a growing
number of other Northwest and nationwide radio stations, reaching
35 states by late 1999. "Classified Ads" (the title cut of her debut
CD) was in heavy rotation at KPLU, and Tina attracted a sell-out
crowd at Jazz Alley in the Earshot Jazz Sunday Night Series. She
has also performed at SXSW Music Festival and Northwest Folklife.
Since releasing Full Moon Big Circle
in 1998, Tina has spent the last couple of years writing. Last year,
she composed the music and lyrics for Out of the Box! (book
by Elise Forier), a musical produced by the Whidbey Island Center
for the Arts in November of 1999. Out of the Box! was so
successful, she and Forier have been commissioned to write two more
musicals together for the year 2001. Tina has also given songwriting
workshops for young people on both coasts.
Now, after creating two successful CDs,
songwriting workshops and a musical, Tina Lear is gearing
up for her first 6-week West Coast tour, coming this fall, with
the release of The Road Home. Her life has for so long fueled
her songs, now her songs are fueling her rich life in music, which
will no doubt take her-with all the depth and excitement so present
in her work-all the way home.
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